Published Research & Writing

Music-In-Education (MIE) Research Published in the 2007 issue of the Journal for Music-In-Education, Scripp, L., Keppel, P., and Wong, R., Eds.

  • Exploring Initation Through The ‘Other’: Cultural Variety Through Tiki & Exotica

    Download PDF or read online here.

  • Evolution of Pre-Professional Portfolio Assessment for New England Conservatory’s Music-In-Education Concentration

    Download PDF or read online here.

  • Data and Documentation Collection Methods for Music-In-Education Interns

    Download PDF or read online here.

  • Evolving Social Roles and Contexts for Portfolio Assessment

    Download PDF or read online here.

Self-Published Works

  • You Too Can Be A Solfege Superhero (fixed-do Solfege curriculum with workbook)

    Printed, Spring 2002. Not available to the public.

  • (untitled novel) – Winner, 2005 National Novel Writing Month Competition

    To be publicly released in coming months.

Original Compositions (Published by PASS OUT MUSIC PUBLISHING)

  • “Rendezvous in Okonkuluku” – scored for: violin, flute, vibraphone, bass, percussion

    Performed by WAITIKI on its album “Rendezvous in Okonkuluku” and featured on Hawaiian Airlines’ Exotica Sky Lounge in-flight radio show, Feb-March 2008.

  • “Plamingo Merengue” – scored for: violin, alto flute, vibraphone, bass, percussion

    Performed by WAITIKI on its album “Rendezvous in Okonkuluku”.

  • “L’Ours Chinois” – scored for: Solo Violin, string quintet, clarinet, vibraphone, 3 percussionists

    Commissioned and performed by Project Copernicus and reviewed by the Palm Beach Postand Miami Herald.

  • “L’Ours Chinois” – scored for: violin, clarinet, vibraphone, bass, percussion

    Performed by WAITIKI on its album “Rendezvous in Okonkuluku”.

  • “Pineapple Lilt” – scored for: voice, vibraphone, rhythm section

    Performed by WAITIKI on its album “Rendezvous in Okonkuluku”.

  • “Sumotori Sumopop” – scored for: saxophone, vibraphone, rhythm section, vocals

    Performed by WAITIKI on its album “Rendezvous in Okonkuluku”.

  • “Cave of Uldo” – scored for: 2 violins, flute, vibraphone, bass, drum kit, percussion

    Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”

  • “Satyritar” – scored for: violin solo, glockenspiel, bass, percussion

    Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”

  • “Fuzzy Mammoth Breath” – scored for: soprano sax, vibraphone, bass, percussion

    Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”

  • “Dew Drop Inn, If You Please, My Humming Flower” – scored for: melodica, xylophone, vibraphone, soprano sax, bass, drum kit

    Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ” and by ABC on its self-titled album

  • “Plamingo Flagoda” – scored for: alto flute, vibraphone, bass, drum kit

    Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”

  • “March for Chief Mau Mau” – scored for: bass clarinet, vibraphone, bass, snare and bass drum

    Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”

  • “Pan-XOTIK-Da” – scored for: soprano sax, vibraphone, bass, percussion, and antiphonal panda choirs

    Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”

  • “China Fan” – scored for: soprano sax, vibraphone, bass, drum kit

    Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”

  • “Sweet Pikake Serenade” – scored for: vibraphone and double bass duet

    Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”. Dedicated to Arthur Lyman.

  • “Menehune Dance” – scored for: piano, bass, drum kit, percussion

    Performed by AKAMAI BRAIN COLLECTIVE on its self-titled album