Music-In-Education (MIE) Research Published in the 2007 issue of the Journal for Music-In-Education, Scripp, L., Keppel, P., and Wong, R., Eds.
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Exploring Initation Through The ‘Other’: Cultural Variety Through Tiki & Exotica
Download PDF or read online here.
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Evolution of Pre-Professional Portfolio Assessment for New England Conservatory’s Music-In-Education Concentration
Download PDF or read online here.
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Data and Documentation Collection Methods for Music-In-Education Interns
Download PDF or read online here.
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Evolving Social Roles and Contexts for Portfolio Assessment
Download PDF or read online here.
Self-Published Works
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You Too Can Be A Solfege Superhero (fixed-do Solfege curriculum with workbook)
Printed, Spring 2002. Not available to the public.
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(untitled novel) – Winner, 2005 National Novel Writing Month Competition
To be publicly released in coming months.
Original Compositions (Published by PASS OUT MUSIC PUBLISHING)
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“Rendezvous in Okonkuluku” – scored for: violin, flute, vibraphone, bass, percussion
Performed by WAITIKI on its album “Rendezvous in Okonkuluku” and featured on Hawaiian Airlines’ Exotica Sky Lounge in-flight radio show, Feb-March 2008.
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“Plamingo Merengue” – scored for: violin, alto flute, vibraphone, bass, percussion
Performed by WAITIKI on its album “Rendezvous in Okonkuluku”.
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“L’Ours Chinois” – scored for: Solo Violin, string quintet, clarinet, vibraphone, 3 percussionists
Commissioned and performed by Project Copernicus and reviewed by the Palm Beach Postand Miami Herald.
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“L’Ours Chinois” – scored for: violin, clarinet, vibraphone, bass, percussion
Performed by WAITIKI on its album “Rendezvous in Okonkuluku”.
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“Pineapple Lilt” – scored for: voice, vibraphone, rhythm section
Performed by WAITIKI on its album “Rendezvous in Okonkuluku”.
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“Sumotori Sumopop” – scored for: saxophone, vibraphone, rhythm section, vocals
Performed by WAITIKI on its album “Rendezvous in Okonkuluku”.
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“Cave of Uldo” – scored for: 2 violins, flute, vibraphone, bass, drum kit, percussion
Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”
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“Satyritar” – scored for: violin solo, glockenspiel, bass, percussion
Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”
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“Fuzzy Mammoth Breath” – scored for: soprano sax, vibraphone, bass, percussion
Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”
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“Dew Drop Inn, If You Please, My Humming Flower” – scored for: melodica, xylophone, vibraphone, soprano sax, bass, drum kit
Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ” and by ABC on its self-titled album
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“Plamingo Flagoda” – scored for: alto flute, vibraphone, bass, drum kit
Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”
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“March for Chief Mau Mau” – scored for: bass clarinet, vibraphone, bass, snare and bass drum
Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”
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“Pan-XOTIK-Da” – scored for: soprano sax, vibraphone, bass, percussion, and antiphonal panda choirs
Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”
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“China Fan” – scored for: soprano sax, vibraphone, bass, drum kit
Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”
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“Sweet Pikake Serenade” – scored for: vibraphone and double bass duet
Performed by WAITIKI on its album “Charred Mammal Flesh: Exotic Music for BBQ”. Dedicated to Arthur Lyman.
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“Menehune Dance” – scored for: piano, bass, drum kit, percussion
Performed by AKAMAI BRAIN COLLECTIVE on its self-titled album